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It had been years since I had helped make true mascot type costumes, so it was a fun break from the norm and a good reminder of why I don’t want to do this kind of sewing all the time. Foam, fur, curved needles, and seriously wacky pattern pieces – give me real clothing any day!
We constructed 2 moose heads that perched high (as in 12 feet high!) atop giant Santa hats, 2 big candy canes, and 2 elves that looked like Christmas tree ornaments. All were based on the designer’s sketches and completed with hundreds of LEDs.
There was lots of stretch crushed velvet and glittery stretch velvet for me to create striped yardage from.
All those stripes are why I met Spray n Bond and we became good friends.
I stitched faces.
I made eyeballs.
And I shoved large amounts of foam fabric through a small domestic sewing machine. I was really wishing I had a long arm machine to use for this!
The moose ears made nice bunny ears too. I kind of want some!
It’s a little weird to have your work stare back at you while you hand-stitch its ear on.
I have tons more photos, but it’s more interesting to watch video because you can see all of the lights and get a better sense of the size. I was actually one of the test models for the elf costumes in order to help work out some of the awkwardness of wearing them – glad to see that no one was tripping and falling during the parade!
Happily, there were plenty of YouTube videos posted of the parade for me to choose from. (Ironically, the official Silver Dollar City one was not the best and was filmed on a night when not all the lights were working.) So I’ve chosen two of the best videos.
(See timestamps below each if you want to fast forward through them.)
This first one is nice for closeups:
And this video is a view of the parade from a little farther back, giving you a better look at the whole 12-foot moose on Santa hats costumes:
This year has been full of Christmas projects for me! And I still have one more to post about next time!
Happy New Year, everyone!
There was a little blood (on the white fur, of course! but easy to fix), a lot of sweat (heavy upholstery fabric is hard to wrangle!), but thankfully, no tears for this build!
I ended up having to sort through 415 photos for this post! Needless to say, I have reduced that number down a little bit. (Click photos to enlarge.)
Back at the end of September, I was hired to build dresses for two identical mannequins for a revamped outdoor Christmas display in Wichita Falls. The request was for something that resembled the red satin dresses with white fur trim seen at the end of the 1954 movie White Christmas.
One of the mannequins was brought to my house.
I called her Keira. She was about the same dress size as I am – but 6 feet tall! A GIANT Barbie.
Her old outfit was sad and her wig was scraggly. So I threw away her clothes and let her borrow some of mine after a bit of a spa day.
I ordered a swatch of the Sunbrella brand red outdoor upholstery velvet. It ended up being the perfect color and had a decent drape, so I ordered 16 yards (but it seems to be sold out at the moment – not sure if they will restock it, but I hope they do!).
I bought some rip-stop nylon for lining and some white acrylic fur with an olefin backing at my local Hancock Fabrics. I also purchased outdoor upholstery thread, acrylic rhinestones (JoAnn Fabrics), and fabric glitter glue (Hobby Lobby).
I ordered hoop skirt petticoats from Petticoat Junction and the client ordered ice skates for shoes. I bought some red “parade gloves” at a Halloween store (perfect timing of a project!).
My really good friend Marlene, who is a professional film & television makeup artist, was tasked with finding and styling some appropriate wigs that could stand up to the elements.
Wensley did not like Keira and hated it when I touched her or moved her around. I think she bothered him because she wouldn’t look at him, hehe. (My dress forms don’t have faces so he just ignores them.)
There was growling and barking for many days after she arrived. Just when he had gotten a little used to Keira visiting, the big roll of velvet fabric arrived and he greeted that with the same suspicious “intruder alert!” and I caught it on video:
My husband and our brother-in-law helped me rig a stand for her, and then I was able to start working on a mockup.
My starting point for both bodices was Vogue 2979 that looks like a reproduction of Grace Kelly’s wedding dress (pictured in this old post). But the sleeve caps as drafted were too short and caused all kinds of fit issues until I popped the seam open at the shoulder. (I tried the bodice on myself and had similar problems with the fit, so beware if you are trying to use this pattern straight from the envelope.) I also lowered the underarm curve a slightly like I usually need to do for myself.
Therefore, I drafted my own sleeve from scratch and made it a two-piece sleeve while I was at it. This allowed me to include better elbow ease for Keira’s perpetually bent arms. It also made it so much easier to dress her.
My friend used glossy red model paint to repaint Keira’s outdated ‘80s lips (check out that unbelievably sharp line!) and Keira got her lovely new hair. So much better!
The skirts were just basic full circles (but huge! because she’s so tall!) and I draped & drew the cape pattern on Keira. I was really surprised that the upholstery velvet cooperated and did what I wanted it to do for the most part.
I didn’t have enough fur (I bought all there was at the store) to double fold it like I wanted to on the capelet and skirts, so I lined it with some white polyester utility fabric and did a lot of picking to pull the fur out of the seams.
If you have questions or would like to know about specific details, ask me in the comments. =)
Overall, I probably spent about 3 weeks total on this project but the work was spread out over about 6 weeks. It was a huge build to complete on my own and I was so glad when it was finished! So was Wensley.
Merry Christmas to all, and my all your Christmases be white!
I have so many things to share! This is going to be a bit of a hodgepodge post.
Some of you may already know from talking to me directly or seeing it on Twitter, I no longer work part-time at Fabrique Fabrics. It was fun for the year and a half it lasted and I’ll miss my coworkers, but since it was never really my “career” I’m not really upset about it. (I think everyone who knows the details is more upset about it than I am.) The short explanation is my boss decided to reduce my hours to “none” to save some money, so I’m moving on to other things instead of waiting around.
On to more exciting things (and LOTS of links)…
And here’s a teaser video of this year’s show, in which you can see some of the costumes in motion:
Hopefully, I will have more photos of both the opera and the parade to share later. (I’m crossing my fingers that someone will post a video of the parade on YouTube at some point!) Update: Post about the parade.
Recent freelancing has suddenly gone from “absolutely nothing” to “I’m booked into the beginning of next year!” Such is my career.
And just because I’ve been looking for a place to share a couple of great costuming videos, I’m going to include them here.
I found the first video because of the second one. It is a really nice overview of what it’s like in any professional costume shop – whether it’s opera, theatre, dance, or film – when there are costumes to construct and fit. “Recreating a Tutu” at the New York City Ballet:
And if you have the time to watch (it’s over 26 minutes long), the following is a truly fascinating video on how a ballet pointe shoe is made (teaser-not-quite-spoiler: inside out!). If you don’t have time to watch it now, come back and watch it later when you do! I promise you will enjoy it.
They use some cool sewing machines and do an amazing amount of the work by hand. And to think that all shoes used to be made this well! “What’s in a Ballet Shoe”:
** What my husband/editor read at first glance: “An elaborate collection of life-size Vulcan gizmos filled with charred costumed characters made famous by the beloved Christmas carrots” ??
It’s Christmas Eve… so how about one more post for 2013!
Wensley makes a cute Christmas card. It’s the Jack Russell in him. =)
You may remember last year’s card, which was his first. We didn’t try any dress up then because we didn’t know how he would take it.
This year we pulled out the Santa hat we had for our last dog and I shortened the elastic a bit to fit Wensley.
We only pulled out the front window tree with its plastic ornaments this year (I’ll do battle to protect the special glass ornaments on the bigger den tree from the dog next year).
Coming up in future posts (in no particular order): the details of the Wonder Woman cape build, some handmade Christmas gifts I stitched up, pattern testing results, and a giveaway.
Merry Christmas, everyone! May you all have wonderful holidays with good friends & family!
See you next year!
Every year, my husband and I design our Christmas cards using a simple photo that always involves our dog. I usually come up with the concept and he helps me execute it.
This year was the first year we’ve had Wensley for the Christmas card, and we weren’t sure he would be as easy to photograph as our last Jack Russell, who was an old pro at our crazy photo shoots.
Well, Wensley was amazing, and I managed to get the exact photo I wanted by take 7 or 8! Lots of treats were given (so he was well paid) and he had so much fun playing the new “game” that he wanted to keep going long after we called it quits. (I think 100 photos is more than enough, dog. But thanks!)
UPDATE 10/17/13: This card is now available for sale in my Zazzle store. Can be customized.
So to my online friends whose physical addresses I do not have for sending cards, here’s a virtual version of this year’s card:
Merry Christmas! from the Wilkersons
“Oh, that birth forever blessed,
When the Virgin, full of grace,
By the Holy Ghost conceiving,
Bore the Savior of our race,
And the Babe, the world’s Redeemer,
First revealed His sacred face
Evermore and evermore.”
Of the Father’s Love Begotten – hymn stanza 2
And here are two of my favorite outtakes that were not included in the original card:
Have a wonderful Christmas holiday, everyone!
I love stained glass, and if I had all the tools I had access to when I was in college, all my windows would be decorated with the real thing. But for now, I will be cheap and fake it. =)
Here’s a super easy project for a quick Christmas decoration. No sewing involved but I wanted to share.
You only need four things: tissue paper (in various colors), a pencil, scissors, and double sided tape. (Cardboard for template is optional.)
I don’t remember why I first thought to do this to decorate our back door for Christmas. Maybe that was the year we lost our fence in a windstorm and I thought it was a good idea for privacy.
I made a cardboard template to fit in the rectangles of the window frame and traced it onto the tissue paper. Then I simply cut out the tracings, and with a few very, very tiny pieces of double-sided tape around the edges, fastened the colored panels carefully to my window (on the inside).
During the day, I have a fake (but pretty) stained glass look to my back door. And at night, it’s extra privacy and glowing color on the outside.
Cleanup is easy. All I have to do is rip the paper off and throw it away when the decorations go back into storage.
Merry Christmas, everyone!
It’s December, so my husband and I have been pulling out all the Christmas decorations. I have a retro 1950s style kitchen and I try to keep my kitchen decorations in line with the theme.
When I was born, my grandmother made me a felt Christmas stocking. I’m sure it was one of those stocking kits similar to what they still sell today, but she made it over 30 years ago – so it has a simplicity that the more modern patterns lack. Just felt pieces, sequins, and beads. I hang it on one of the upper cabinet doors in my kitchen.
On the long row of cabinets, I hang one felt ornament from each upper cabinet handle.
I designed & crafted the six ornaments in various shapes that I found in retro graphics or wrapping paper patterns. In order to attach them to my cabinet handles, I attached two pieces of ribbon on the top of each instead of a loop. That way I can just tie them on with a bow.
Making the ornaments is quite simple – I just started with a basic shape and then cut tiny pieces free-hand and hand-stitched them on, adding sequins here and there. Once the front design was finished, I cut a plain piece of felt for the back and stitched around the outer edge of the entire thing (remembering to insert the ends of my ribbon at the top edge).
A little project like this is great for scraps and it is good hand-sewing practice. (I would have loved to do something like this as a kid!) Sometimes it is just nice to do a craft that doesn’t really involve much planning or patterning – you can just cut and start sewing, making it up as you go. And if you don’t like how it is turning out, you can start over without wasting much material. =)
The reason I thought to make my retro kitchen ornaments is kind of a long story.
A number of years ago, I was working as a costumer on a low-budget TV movie/webisode series and we had a large pile of felt fabric scraps leftover from one of the webisodes that required some costumes made from felt (in the script, the mother character was making costumes for her daughter’s school play).
Since it was just before Christmas and the workdays on set were long (and often boring), I kept myself busy by creating some hand-sewn ornaments out of the felt scraps and a few sequins that I had in my personal stash.
I created 15 unique ornaments for some of my fellow crew members and a few of the actors – it was a completely free way to give personal Christmas gifts and I had a lot of fun making them. A couple of my closest crew friends even joined me in the craft and made some gifts for their own friends & families.
Some of the ornaments are inside jokes and others just represented an interest/job of the recipient. I sketched the more detailed ones and then traced the shapes I drew onto the felt before cutting & sewing.
I gave each ornament inside a hand-delivered Christmas card, and something like this would be perfect for mailing inside a card because they are flat and light – they might not even cost extra postage (you’d have to weigh it to be sure though).
Everybody who got an ornament was thrilled – especially since each one was so personal.
The most detailed ornament was of the Yellow Submarine from the Beatles’ Album cover:
I made this for a guy who is a major Beatles fan, and his reaction to the gift was probably the most amusing – he was so astounded that I made him something so in line with one of his favorite things, he was worried that his girlfriend would be upset that it was his “favorite gift ever!”
And the Hippo was my favorite:
Because who wouldn’t want a Hippopotamus for Christmas?