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I have finally completed construction of my version of the Ladies’ Wrap #0291.
And it’s reversible!
I decided a lined version of the wrap would look better, and because it would be lined, I could easily make it a modern 2-in-1 wrap.
So here’s how I made the 1912 wrap completely reversible (photos enlarge when clicked):
Since I chose to eliminate the center back seam on the solid turquoise satin side, I cut the satin on the cross-grain in order to fit the width of the pattern. (This also solved the layout problem in the instructions where they forgot to tell you to turn the pattern piece over and cut mirror images for each side.)
But, unlike the satin, I determined the metallic brocade shouldn’t be cut on the cross-grain because the woven print of the fabric looked best using the standard selvage to selvage width.
So I decided to sew two panels of the metallic brocade fabric together (matching the woven print) before I cut anything out of it.
Because of my fabric choice, the project now got tricky. Most sewists will never have to deal with some of the following issues, but if you ever do, you might find the information useful.
The brocade I used is a continuous brocade, meaning there were lots of floating threads on the back, and I knew it would fray like crazy once I cut it.
And those floating threads are stupidly shiny metallic beasts (the fabric looks like sequins in person), which made the back side hard to mark. The threads also made it next to impossible to match my print because they prevented me from seeing the flower pattern from the wrong side of the fabric.
Red was the only color that would show on the fabric’s color scheme, and the only thing that would mark the metallic was either a red Sharpie or red thread. (I decided against the Sharpie idea just in case it should ever bleed onto the satin turquoise half of the wrap.)
I lined the print up on the right side of the fabric by folding one panel’s selvage edge under and pinning in place. Then I thread-traced (in red) both sides where they would be stitched together.
After tracing the stitchline, I repinned the panels directly through the thread-traced lines from the wrong side of the fabric, making it ready to sew together.
I stitched the two panels together (shockingly, I only had to redo a small 3-4 inch section to fix an alignment issue), removed the thread-tracing, serged off the extra seam allowance, and ironed my seam allowances open.
I chose to flat-line my metallic brocade with a thin white cotton fabric for many reasons, but the main three are:
I traced the wrap pattern onto the cotton (in pencil) by lining up each half to the seam between the panels. Then I pinned like crazy to keep both the cotton and the brocade panels lined up, and thread-basted the layers together – about an eight of an inch outside of the traced stitchlines. (From this point, I treated the brocade and cotton layers as one piece.)
On the pattern piece, I notched a line one-quarter-inch inside the trim placement line using a scrapbooking hole-punch. (Why spend something like $40 on a professional pattern notcher when you can use a $7 square rectangle punch that actually has a reservoir to catch the punches and a rubber grip?)
On both the satin and the brocade sides, I marked my trim placement line using the notched dotted line.
At last, I was ready to actually cut my fabric! Scissors please!
I cut out an unmeasured seam allowance around the traced lines but I did NOT cut into the points separating the sleeves from the body yet. My motto is only cut your fabric when absolutely necessary – especially when it comes to point sewing.
Next, I stitched the four darts and pressed them to one side. The brocade darts were pressed toward the back, and the satin darts were pressed toward the front so that the final layers together would not add thickness in the same place. (I did not cut the darts open as the instructions were written because they were not that big or bulky.)
Then I machine stay-stitched the satin half (about an eight of an inch outside the stitchline) and I serged around the cut out brocade/cotton piece to prevent fraying.
Trim sewing came next. I cut 4-inch wide bias from some black crepe-back satin, and pinned it (right side down) along the marked lines on each sleeve.
I stitched one-quarter inch (presser foot width) in on the edge of the black bias – thus attaching it to the actual “trim placement line” because I marked my line one-quarter inch in.
This allowed me to hide my stitchline under the bias (unlike the written instructions for the trim) when I pressed the bias back to the sleeve edge. I machine-basted the bias to the edge of the sleeve and trimmed off the excess.
Then it was time to join the two wraps!
I stitched the two wraps together (matching the marked stitchlines and ignoring the unmeasured seam allowance) leaving it open where the collar would attach.
I made an extra stitchline inside the underarm points because of the fraying nature of the brocade. And then using my sharp scissors, I cut carefully to the point and immediately fray checked the edges around the point.
Once I had turned the wrap right side out, I hand-stitched around the underarm points to secure my crazy brocade and to prevent a stress point later.
And the reversible wrap was almost complete!
Then I made the collar with one side pre-folded in and attached the other side to the wrap, sandwiching the opening (left for turning the wrap right side out) between the collar pieces.
I hand-stitched the folded-in side of the collar to close everything up, and then decided to do a nearly invisible pick-stitch along the edge of the collar to control the edge. I also pick-stitched through all the layers of the sleeves (just inside the turned edge of the bias trim) in order to keep the layers from shifting.
I made a matching black front-tying belt with a back gold buckle decoration and secured the front overlap with a center front snap.
I chose not to use tassels on the sleeve points (because tassels always make me think clergy or home décor) and instead, attached a few beads to the four points.
I think this pattern is meant for someone who is comfortable working with bias edges – there are so many angles and points for something so visually simple it’s not really beginner level. My fabric choice complicated matters for me during construction, but I made it work. While the fabric I chose makes the wrap rather warm (it would be perfect for cold weather), it could easily be made of a variety of different fabrics.
I can’t decide which side I like better on the outside – they are both so different!
And… that’s a wrap!
I have an irksome tendency when I make something – it has to match the picture I’m working from or I will spend forever and a day tweaking the pattern until it does.
Inner Perfectionist: It’s not quite right.
Lazy part of me: But it’s only off by an EIGHTH of an inch.
Perfectionist: Yes, but it’s off and it will drive me crazy!
Lazy: No one else will EVER notice.
Perfectionist: True, but now that I’ve seen it, I can’t un-see it.
Lazy: FINE. I’ll fix it.
I know this makes me better at what I do, but there are times when I wish I could tune the perfectionist out and happily fly through my projects. (When I seriously try to ignore the inner perfectionist, my husband will nicely remind me that “You’d better fix it or it’s gonna bug you!” *sigh* He knows me well.)
So, anyway, you might remember that I chose the Ladies Wrap #0291 for my next assignment for The 1912 Project (honoring the 100th anniversary of the Titanic) because it looked fairly straightforward. However, it turned out to be one of those deceptively complex patterns that poked at the perfectionist in me.
The wrap has four darts, and their purpose is beautifully understated. Two are the shoulder seams, and two meet at the center front creating an almost horizontal line from bust point to bust point (but will be hidden by a collar on the finished garment).
These darts have perfect placement and are the textbook size for the 32-inch bust that the pattern is labeled as being – and because bust point measurement and shoulder seam measurement vary so slightly from size to size, the simple wrap style (a lapped front & open sides) can easily fit bust sizes ranging from 30 to 42.
Using a left-over piece of a bed-sheet from another project, I cut out a mock-up without any seam allowances. That meant the edges were right where the hem would be and I could check the overall fit & silhouette.
I tried the mock-up on myself, my sister and my mom. (I am smaller than the pattern’s 32” bust and my mom & my sister are both larger.)
Let me show you why the pattern needed tweaking…
I know I’m small but I have long arms – and the sleeves were way long, so it looked like I was wearing someone else’s clothes! The drape of the sleeve couldn’t hang gracefully with the arm raised & bent and didn’t match the design sketch, so of course, it completely BUGGED me.
It’s not terrible when I don’t bend my arms (it kind of reminds me of church-pageant angel sleeves) but I would look silly walking around with my arms out all the time!
So I took a poll on upper arm length. (Thank you soooo much to all of you who took the time to answer my one-question-survey!)
The results were quite interesting and confirmed my suspicions: upper arm length is not all that different from size to size, and I was right there at the average middle – 11 inches from shoulder joint to inside elbow.
I used a marker to draw new hem lines on the mock-up while trying to more closely match the sketch. For demonstration purposes, I only cut off the left sleeve.
I transferred the alterations to my paper pattern, tweaked the sleeve points, and shortened the body front & back lengths a little. (In order for me to construct the wrap in the special way I have planned, all the alterations needed to be precise before I make the real thing.)
For those who want to know specifics, I cut 2 inches from the sleeve length and adjusted the curve slightly to make the points less square (matching the sketch). I trimmed 1-3/8” off the front hem and a scant quarter-inch off the back hem.
Now that the pattern is fixed (and my inner Perfectionist can find some other project to obsess about), I’m ready to cut the real fabric and have some fun with construction… exactly 100 years to the day that the Titanic sank.
Right now, I’ve got so many projects going at the same time – it’s amazing how busy I can keep myself without even having a current TV/movie job!
I’m still working on inventory for my Etsy shop (I promise it’s almost open!), but I have to admit, I’m a little scared to push the “go button”. Building items, taking photos, and writing about them is the easy part! There seems to be so much general setup to do – especially stuff like writing a good shop policy so that customers don’t take advantage of me like some have in the past. And then there is learning to deal with actual shipping… I also find it a bit difficult to sew for an “unknown” person since I usually work directly with someone else (designer or client) on every project.
This week I’ve been trying to choose fabric for my version of the Ladies’ Wrap (#0291) for The 1912 Project. I received the pattern a few weeks back, but I have a new Little Distraction that has been demanding most my attention (more about that in a minute).
I requested the wrap pattern because it looked like it would be quick & undemanding, easily fit a variety of sizes without alterations, and I think the oriental influence of the design made me subconsciously liken it to a Jedi outfit – which speaks to the geek in me. Retro and slightly geeky. How could I not like it?
A page from one of my favorite books in my personal library (Dressing the Galaxy: The Costumes of Star Wars) shows the similarities between the wrap style and a Jedi:
I started by digging though my fabric stash looking for something interesting to use for the wrap. I had many great options I really loved but not enough yardage of any of them. Drat.
But then I remembered I had a roll of fabric that someone once gave me while cleaning out their closet. (I have no idea what it was originally purchased to make, but I always accept interesting fabrics when they are free!) The fabric is a continuous brocade with a black background and metallic threads woven into flowers & leaves in peacock shades of blue, turquoise, green, gold, and silver.
As always, I read the directions that were including with the pattern and then promptly decided to do it a different way – my typical take-a-simple-project-and-make-it-more-complicated-than-it-needs-to-be mode of operation. Curse my engineering brain!
I may have actually made a few construction details easier, but I have to carefully plan the order of steps. The end result is going to be super cool (if I do say so myself) and I will share the instructions once I have the wrap made. =)
I had the perfect turquoise fabric to coordinate with the metallic brocade fabric, but alas, I didn’t have quite enough.
So I went hunting for something else in the same shade of bright turquoise with a decent weight (almost everything I found was paper thin!), and ended up with some matte satin from Walmart (of all places!). It doesn’t have the same interesting texture, but it’s almost the same shade of bright turquoise as the fabric I wanted to use! And it was a suitable weight and only about $14 for the amount I needed. Not bad.
So here’s a photo of all the fabrics I plan to use for this project:
And that “little distraction” I mentioned? Well, I’ll let this picture speak for itself:
We got a puppy! (Isn’t he adorable??) He’s a Jack Russell Terrier (or Jack Russell Terror, as my husband likes to say) and he is nearly 5 months old & almost full size. It’s such a huge change going from an elderly, well-trained JRT to a teething puppy, but Wensley is going to be a wonderful dog once he matures a little more and I can trust him to stay out of trouble.
I still miss my old dog but it’s so nice to have a companion during the day again. =)