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I have so many things to share! This is going to be a bit of a hodgepodge post.
Some of you may already know from talking to me directly or seeing it on Twitter, I no longer work part-time at Fabrique Fabrics. It was fun for the year and a half it lasted and I’ll miss my coworkers, but since it was never really my “career” I’m not really upset about it. (I think everyone who knows the details is more upset about it than I am.) The short explanation is my boss decided to reduce my hours to “none” to save some money, so I’m moving on to other things instead of waiting around.
On to more exciting things (and LOTS of links)…
And here’s a teaser video of this year’s show, in which you can see some of the costumes in motion:
Hopefully, I will have more photos of both the opera and the parade to share later. (I’m crossing my fingers that someone will post a video of the parade on YouTube at some point!) Update: Post about the parade.
Recent freelancing has suddenly gone from “absolutely nothing” to “I’m booked into the beginning of next year!” Such is my career.
And just because I’ve been looking for a place to share a couple of great costuming videos, I’m going to include them here.
I found the first video because of the second one. It is a really nice overview of what it’s like in any professional costume shop – whether it’s opera, theatre, dance, or film – when there are costumes to construct and fit. “Recreating a Tutu” at the New York City Ballet:
And if you have the time to watch (it’s over 26 minutes long), the following is a truly fascinating video on how a ballet pointe shoe is made (teaser-not-quite-spoiler: inside out!). If you don’t have time to watch it now, come back and watch it later when you do! I promise you will enjoy it.
They use some cool sewing machines and do an amazing amount of the work by hand. And to think that all shoes used to be made this well! “What’s in a Ballet Shoe”:
** What my husband/editor read at first glance: “An elaborate collection of life-size Vulcan gizmos filled with charred costumed characters made famous by the beloved Christmas carrots” ??
So I was in the middle of (and making decent progress on) lots of my own projects last weekend when the phone rang. And suddenly my schedule is completely different! That’s the life of a freelancer.
I was offered a job helping the costume designer for Shakespeare Dallas’s fall show – it’s a modern dress version of “that Scottish play” (aka Macbeth for those of you unfamiliar with theatre superstition). It opens in just three weeks and between the two of us, we have to come up with around 75 costumes. Ahh, the joys of low budget theatre!
Luckily, we have some costumer friends at The Dallas Theater Center and the University of Dallas who let us pull what we could use from their costume storage places. So we have spent the week digging through piles of clothes & shoes and then lugging it all back to our space.
Shakespeare Dallas also has some stock of its own; unfortunately, it’s in an old warehouse with no electricity or water. Ahh. The joys. Of low budget… theatre…
I was rather shocked that there was so much in SD’s storage! And sadly, it’s not exactly ideal conditions for costume storage. It was a bit depressing to see so many items (including bolts of fabric!) exposed to the elements knowing that they would eventually become unusable.
(I would like to apologize for the following crummy cell phone photos – no electricity and bad lighting make cell pics look even worse than normal and I cleaned them up as much as I could.)
So we walked into SD’s storage warehouse and it was a bit of a scavenger hunt:
I started pulling shoes and the designer went sifting through the racks of costumes in the far back corner:
My biggest goal was to find matching pairs of shoes – they weren’t all attached in pairs and it was dark. I pulled a bunch of shoe bins out of the dark area and closer to the door and began pairing them.
The laces of many pairs had been knotted together on the ends – one of my biggest pet peeves! This meant that they tangle around other pairs in the same bin and are impossible to pull out without grabbing a giant clump of shoes all at once.
After I pulled a bunch of shoes, I joined in the search through the racks for clothing:
I’m glad we only spent about 2 hours in the hot warehouse before we stuffed everything into the car and took it back to the theatre space. Ahh, the joys of… yeah.
I will be making a few simple things, and fittings are coming up next week – I hope most of the costumes we pulled will fit the actors!
And to make up a little for the not so great photos, here’s one of Wensley when he went to work with my husband earlier this week:
Apparently, this wasn’t a one-time thing and he likes to migrate from lap to desk.