Sewing that's Retro, Geek, and Chic
Delusions of Glamour
June 22, 2012Posted by on
When I mention that I’m a professional costumer, people often get wide-eyed and respond with an awed “ooohhh…” While costuming has it’s moments of “wow, I love my job!”, in reality, most of what I do is simply just work – and by work, I mean the dirty physical-labor kind.
(Why I’m not a designer explained in this post.)
Being a costumer is more than sewing. There are those costumers who do spend a lot of their time in a costume shop (and I admit that is my favorite place to be!), but even working in a shop involves more than just putting together pretty period garments for film or theatre.
There are tasks like making repairs to old (sometimes stinky!) costumes, polishing shoes, and rigging a costume so that it can be put on or taken off quickly. There is also the distressing of clothing & shoes to make something look old or worn, and there is dyeing fabric – both of which are messy and require true artistic skills that I have not completely mastered.
If an article of clothing has a brand logo, I might get the assignment of “greeking it out” – film slang for blurring or obscuring an emblem so it’s not visible or recognizable on camera. Sharpies in various colors come in handy for that, and when I watch a TV show (especially Reality TV), I can often tell when something has been intentionally greeked out. (As a last minute on-set fix, there’s always creative use of gaff tape for greeking.)
Then there is basic stuff like laundry. It’s never-ending! I may be able to look inside a designer labeled outfit and touch amazing custom garments, but I also have to collect sweaty socks at the end of a day. Sometimes laundry has to come home with me and go back clean the next morning (and that’s after a 12+ hour workday!).
During the last few days, I was hired to do some stitching for a Nike commercial that was filming in Dallas. (You can view it in this post.) I hemmed some pants, took in some t-shirts, and tailored a few suits. But I also helped unpack shipments of clothes that arrived by mail. I did a lot of clothes hanging, and I folded & sorted something like 600 t-shirts!
During the actual shoot days, I spent most of one morning steaming a couple racks of clothes, a few hours heat-setting some logos on basketball uniforms (that was fun because I got to use an industrial press), dressed some extras, collected dirty clothes, and helped pack everything back on the truck. (Wardrobe always involves a lot of heavy-lifting of clothes and shoes.)
It was grueling, but the costume designer & wardrobe crew I was working with were really great people and I’m glad I was able to meet them. I’m sure I will cross paths with them again at some point – it always amazes me how small Hollywood is (instead of 6 degrees of separation, it’s more like 1 or 2)!
On some of the bigger shows where I’ve been hired on as part of wardrobe department, we have a full-sized semi-trailer for all the costumes.
On filming days, a crew shows up (usually before the sun rises) and finds Basecamp set up in some random parking lot near the shooting location. Half the time, it is easy to forget where you are because the trailers are usually set up in the same basic configuration.
Inside a wardrobe trailer, there is often a stacked washer/dryer, a small sink, and a few cabinets and counters in the nose. All the way down the sides are locking clothes racks, and a ramp on a lift at the back end.
Aside from lugging costumes and pushing racks of clothing all over the place, I’ve met and talked to countless interesting people, seen the other side of many “do not enter” doors (I often joke that I don’t know how to enter a building through the public front door), learned how “boring” action scenes & how “funny” horror scenes can be while filming them, worked some 19 hour days (the standard minimum day is 12 hours on most jobs), and been a part of some truly amazing teams.
My job as a costumer involves so much more than sewing (and I didn’t even mention the on-set work!) that it’s hard to summarize when someone asks what I do. Costuming (and any film or theatre job for that matter) is a calling – one that sounds glamorous and usually isn’t.
It can be miserable and completely exhausting at times, but despite all the hard work involved, I would never trade what I do for a normal desk job!